From revolution to reaction: The seventies (part of two 1974-1976)

In the first payment by instalments of my view of the seventies, we saw, like the wave of the protest and counterculture erklomm and broke and left few more than hopelesness. The following period, those approximately of after Watergaten by 1976, determines another crucial moment. These were years of the transition, as steam completely from the Sechzigern however without everything, which old.In to replace the first place had gone, it were a time of the national degradation. Watergate uncovered the president and its helpers to pursue in order to be the lowest kind of the criminals, and non-selected new president Ford rejected nevertheless. In addition the conflict in Viet Nam terminated finally 1975 with the case of Saigon and the pictures of the American helicopters, which were thrown into the sea. Energy America outward looked weak, and its government at home to be per find undemocratic. If you liked to receive a direction of the tendency of the despair over the condition of the nation, fair clock Robert Altmans incomparable 1975 things of the film Nashville.Culturally were not much better. Although Altman the tendency of the time in Nashville took as much as, Roman Polanski prisoner, did in 1974's Chinatown, had steam begun to come out from new Hollywood. Peter Bogdanovich, responsible for last illustration the appearance, what up Doc.? is, and tapezieren you moon was already a used up strength. After Nashville Altman would lose its general note and Francis Ford Coppola spent most the last half of the seventies, which try, to film Apocalypse Now.Those, how Scorcese were vital, one still painted unrelentingly bald illustration of the American life. Taxi driver describes New York as circle of hell, violent Cesspool prostitution, pornography and murder. Only its anti- hero Travis Bickle is not a possessed loner, in an important lateral history Scorcese and film script author Paul Shrader in the spool carrier the lip service and the empty Sloganeering of the modern political campaigns. As in Nashville, political murder is also a current topic. The descriptions of the film of Squalor and of Lawlessness reflected a certain quantity of reality, New York town center bankruptcy had made and the president a bail had out rejected and led to one the best newspaper headlines of all time, "Ford to the city: Drop dead." Years of De-industrialization and from flight to the suburbs had the unemployed persons of cities link Americas and poor.In a less more violently however evenly hopeless sight, tackled film the net and satirized the Stupidity and the handling of the television. We mostly remind that us I Peter Finks "as hell are furious and I will not take speech" to it from this film more and there is no doubt, which he owes its popularity to a feeling, which most people in America have that they are by the forces over their control outside are squeezed together. That always present direction of the fear was used always easily by the Demagogen, something, which is underlined by the film and soon in the choice 1980 out is lived. Which people are to remind of more are Ned Beattys rhetorical impact down the letter Peter Finks, who informs it the material notch global capitalism.Musically, strike rock, country and all soul hard times. Many of the large artists of the sixties had finally over run from gas; the rollen-Steine had straight it thirty year begun, which as self Parodie run one left, John, who was Lennon in its "lost weekend" period, Paul McCartneys body early work 70s had given way, in order shite like "stupid love song to express," and large R
Source: http://amusedanddisgusted.blogspot.com/2008/02/from-revolution-to-reaction-seventies.html

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